|Rabia Zuberi: Life and Work|
Rabia Zuberi, Pakistanâs premiere women sculptor and the recipient of numerous national awards, has dedicated her life to art and art education in Pakistan. Principal of the Karachi School Of Art established over forty years ago, Rabia received her art education from the Lucknow College of Art, and after graduation in 1963., made her home in Karachi. Finding no art school in the city, Rabia with her sister Hajra and aided by Mansur Rahi opened the Karachi School of Art, flourishing today.
Rabia was awarded top honours for sculpture from national Youth Art Exhibitions, held in Calcutta and New Delhi in â61, â62 and â63.
The changes in Rabiaâs life found a reflection in her maturing work. In the 70s, she began to analyze the human anatomy working in a simplified form that gave reference to abstraction.
The âDignity of Labour seriesâ was the outcome of the work entailed in the construction of the Karachi School of Art. In the â80s, Rabia looked at design as an element of sculpture, approaching it as a gender issue. In the 90âs, the artistâs concern for the troubled city was expressed in the series: Quest for Peace.
In Pakistan Rabia Zuberiâs work has been nationally acknowledged by way of awards in 1986,â87, and â88, and in 1996 when she was awarded top honours from the 7th National Art Exhibition. In 2003, she was awarded the Lifetime Achievement Award by the Pakistan National Council of the Arts.
A monumental sculpture âPlea for Universal Peace', is in the collection of the National Art Gallery, Islamabad.
About the Author
Marjorie Hussain is a well-known art critic who has been engaged for over two HGH decades in promoting Pakistanâs art and culture both in the country and abroad. She has curated and organized art exhibitions both at home and in foreign countries, written a history of art in the subcontinent for the Pacific Asia Museum, Pasadena, USA, traced the history of art in Pakistan for a book on Karachi: Megacity of Our Times (OUP), compiled and edited a book on Basher Mirza, and written a book for Oxford University Press: Aspects of Art.
Marjorie is a regular contributor to The Gallery, a Dawn Newspaper art supplement, and writes a monthly column for She magazine.
Comments on the Publication
âThe recurring keynote if Rabia Zuberiâs art work is poignant humanism. Through the medium of drawing, painting and sculpture, Rabia Zuberi has moved away from traditional female introspection into the vast arena of the world, embellished with technology but threatened with the ugly specter of violence. Rabia Zuberi has risen above the confines of her own cultural habitat and joined the chorus of universal voices in the world, hearkening mankind to turn to love, forgiveness, social justice and peace.â
âRabia Zuberi indeed is a phenomenon. She has single-handedly succeeded in spreading art in the society and that, too, without sacrificing our socio-cultural traditions are not followed, it is a great achievement from all aspects.â
âRabia Zuberi is a unique achiever in the art world of Pakistan, In an unusually quiet and dignified way, Muslim and eastern to the core, she has been practicing sculpture as an artist an promoting art as an art teacher whose Karachi School of Art has now become an institution in its own right.â
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